Guts, Summer of 1985, Snakekiller, The Oligarch and the Art Dealer Photo: Just Republic, MR Studio International, SVT, Elk Film, , Pumpernickel Film, Nordisk Film
The 27th edition of the cherished EFP event, playing out during the Cannes Film Festival, includes representatives from Denmark, Finland, Iceland, and Sweden.
With six series in the official programme, the Nordics confirmed their strong international pulling power and unique relationship with the highly curated series festival.
Is there an increasing difference between demands from big screen funders and broadcasters? Nordic experts analyse the current market and how its changes affect our storytelling.
Long-term brand-building for TV series remains uncharted territory in our region. NFTVF examines how strong series can become enduring IP, with Nordic crime leading the way.
Once seen as global leaders in equality, the Nordics now face setbacks in film and TV: “We need to stick together in the Nordics to maintain what we have achieved.”
The Danish Oscar nominee explores complex family and farming dynamics in his first TV show, Harvest, and convinced his starry cast to drive tractors for authenticity.
The Danish Oscar nominee explores complex family and farming dynamics in his first TV show, Harvest, and convinced his starry cast to drive tractors for authenticity.
The Swedish filmmaker spent seven years exploring ideas in A Sweetness From Nowhere, now premiering at CPH:DOX. She calls it a nerve-racking process that envelops everything from disco jellyfish to footage she shot for an abandoned sci-fi film.
After her global hit Hatching, the Finnish writer/director comes to Berlinale Competition with her English-language debut, Nightborn, offering a twisted take on parenthood.
The Oscar nominated co-writer of Sentimental Value describes his collaborative writing process with Joachim Trier; and how he’s writing a new script to “mix Bergman and Hitchcock.”
This successful Faroese producer is now collaborating on Tea Lindeburg’s The Seal Woman as well as fostering local talents and servicing big Hollywood shoots.
The Swedish writer-director works with Nick Cave on her new TV project The Death of Bunny Munro, while also handwriting the script for the first of the new Dogma 25 films, Mr. Nawashi.
The Icelandic filmmaker talks about the spontaneous way he works with his children starring in his two latest films, Joan of Arc and The Love That Remains, and how he enjoyed exploring magical realism for the first time.
Sofie Gråbøl talks about punching Mads Mikkelsen in their new film The Last Viking, acting with Donald Sutherland in her first film and experiencing how the grpundbreaking series The Killing changed the international outlook on Denmark.
In this animation special we dive into the current Nordic animation scene in disucssions with the talents behind Fleak and Captain Sabertooth that both opened at Annecy International in June.
The Norwegian documentary We Are Stardust has its world premiere today at Thessaloniki International Documentary Festival. Later this week it will have its Nordic premiere at CPH:DOX.
The Norwegian documentary In Cod We Trust has its world premiere at Thessaloniki International Film Festival today, as well as its Finnish premiere at Tampere Film Festival.