Other Nordic titles awarded at the Greek gathering include Pet Farm by Finn Walther and Martin A. Walther, and Viktor by Olivier Sarbil, which snagged a Special Mention and the Alpha Bank Accessibility Award, respectively.
For the first time in the 78 year old history of the Danish Film Critics Awards, there’s no best male or best female actor. Only best actor. Contrary to expectations, the women are on top of the new perspective.
Upcoming festival SeriesMania, dedicated to TV series, will spotlight a slew of Nordic shows, from Trine Dyrholm-starring The Danish Woman to Generations.
Good Partners Media Group facilitates co-productions and helps secure financing across the region. NFTVF asks why the network is important right now in the Nordics.
The Danish actress discusses her complex characters, like the infamous criminal in Oscar-nominated The Girl With The Needle and a woman recovering from a stroke in Berlinale premiere Beginnings.
As The Ugly Stepsister premieres in Sundance, the ambitious Norwegian debut film’s writer/director and veteran producer discuss financing and adding feminist body horror to the classic Cinderella fairytale.
The director and produce, known for their documentaries, reveal how Jacques Demy and an oil tycoon’s secret bunker inspired their ambitious first fiction feature, The End, a six-country co-production with a budget of about $17m.
The head of the International Sámi Film Institute talks about boosting indigenous filmmaking through smart collaborations with Netflix, Disney, NRK, Telefilm Canada and more - and she reveals what’s next for Sámi filmmakers.
Finnish producer Aleksi Bardy is proud of the Nordic elements that Helsinki Filmi could bring to the adaptation of Tove Jansson’s The Summer Book that stars Glenn Close and Anders Danielsen Lie.
The Danish director has wanted to make a TV series since 1998; he explains why Families Like Ours offered the gravitas he wanted to explore across seven episodes.
The Swedish writer-director wanted to avoid biopic cliches for The Swedish Torpedo and instead find a modern approach to a very feminist story from 1939.
The successful Danish producer talks about the international potential of Sons, what she learned as a Producer on the Move at Cannes 2024, and her new collaborations with Lars Knudsen and Ari Aster.