The distinguished jury trio, Henriette Steenstrup, Linus Fremin and Joanna Szymanska , will select the winner(s) for the renewed script award presented by Nordisk Film & TV Fond at GFF TV Drama Vision in late January.
The director and produce, known for their documentaries, reveal how Jacques Demy and an oil tycoon’s secret bunker inspired their ambitious first fiction feature, The End, a six-country co-production with a budget of about $17m.
Eight decades of Nordic television has created a distinctive cultural canon, still to this day enjoying classic linear viewing, and even at times emptying the streets.
Industry event “Content London” explored the advantages and pitfalls of European co-production alliances, and Norwegians demonstrated their scripted scope.
After 18 years at the top of the Danish Film Institute, Claus Ladegaard steps down. We asked him about his major concerns in times when the film companies are struggling to survive.
The director and produce, known for their documentaries, reveal how Jacques Demy and an oil tycoon’s secret bunker inspired their ambitious first fiction feature, The End, a six-country co-production with a budget of about $17m.
The head of the International Sámi Film Institute talks about boosting indigenous filmmaking through smart collaborations with Netflix, Disney, NRK, Telefilm Canada and more - and she reveals what’s next for Sámi filmmakers.
Finnish producer Aleksi Bardy is proud of the Nordic elements that Helsinki Filmi could bring to the adaptation of Tove Jansson’s The Summer Book that stars Glenn Close and Anders Danielsen Lie.
The Danish director has wanted to make a TV series since 1998; he explains why Families Like Ours offered the gravitas he wanted to explore across seven episodes.
The Swedish writer-director wanted to avoid biopic cliches for The Swedish Torpedo and instead find a modern approach to a very feminist story from 1939.
The successful Danish producer talks about the international potential of Sons, what she learned as a Producer on the Move at Cannes 2024, and her new collaborations with Lars Knudsen and Ari Aster.
The Icelandic writer/director, whose film opened Un Certain Regard in Cannes, talks about the beauty in the tragic and how he created his poetic film When The Light Breaks.