In this animation special we dive into the current Nordic animation scene in disucssions with the talents behind Fleak and Captain Sabertooth that both opened at Annecy International in June.
By acquiring two major commercial pubcasters, the media giant will leverage the complementary strengths of TV4 and MTV while navigating a TV market undergoing a historic transition.
Illegal IPTV is growing fast as rising costs and fragmented legal platforms push consumers to pirate services for easier access to live sports and international content at lower prices.
At this year’s Monte-Carlo Television Festival, NFTVF spoke to the creative team behind the FLX drama, aired across the Nordics and already sold to a raft of countries worldwide.
The German June event debates necessary innovations and new business models in times of scepticism towards the US. Artistic director Gerhard Maier comments on brave Nordic choices.
In this special Cannes 2025 episode of Nordic Film Talks, we delve into two Cannes world premieres with the writer/director and lead actor of Eagles of the Republic and one of the lead actors of The Love That Remains.
The Icelandic star on combining domestic and international work: his new company ACT4’s first series, Reykjavik Fusion, and his roles in US hit series Severance and Somebody Somewhere.
The Icelandic writer/director talks about moving into TV with The Danish Woman, why he likes headstrong women, and how he tries to pull the carpet from underneath the audience.
The Danish actress discusses her complex characters, like the infamous criminal in Oscar-nominated The Girl With The Needle and a woman recovering from a stroke in Berlinale premiere Beginnings.
As The Ugly Stepsister premieres in Sundance, the ambitious Norwegian debut film’s writer/director and veteran producer discuss financing and adding feminist body horror to the classic Cinderella fairytale.
The director and produce, known for their documentaries, reveal how Jacques Demy and an oil tycoon’s secret bunker inspired their ambitious first fiction feature, The End, a six-country co-production with a budget of about $17m.
The head of the International Sámi Film Institute talks about boosting indigenous filmmaking through smart collaborations with Netflix, Disney, NRK, Telefilm Canada and more - and she reveals what’s next for Sámi filmmakers.
Finnish producer Aleksi Bardy is proud of the Nordic elements that Helsinki Filmi could bring to the adaptation of Tove Jansson’s The Summer Book that stars Glenn Close and Anders Danielsen Lie.
The Danish director has wanted to make a TV series since 1998; he explains why Families Like Ours offered the gravitas he wanted to explore across seven episodes.
The Swedish-Finnish feature film Raptures, is now screening in cinemas across Sweden following its Finnish premiere in March. It's the first feature film in meänkieli, one of Sweden's minority languages.