Kicking off October 14, the 8th Carl Film Forum in Karlskrona will be busy. Besides the EAVE Producer’s Workshop and a number of panels and presentations, a most special announcement will also be made.
Fredrik Wikingsson, one of the directors, says the story has inspired people to call their parents more often. The film has recently premiered in Finnish, Norwegian and Danish cinemas.
NFTFV chatted with AI specialist Umberto Onza, screenwriter Grace Maharaj, and Avalanche Studios Group rep Albert Banda to take stock of the opportunities and challenges presented by AI and transmedia.
Challenging the limitations of documentary distribution was the main trick question at this year’s animated, passionate, at times both harsh and cheerful Town Hall forum, held in Malmö September 22.
Joachim Trier’s significant film Sentimental Value, produced by Mer Film, is one of 12 productions supported by the Fund, receiving an outstanding grant of 4,500,000.
With diverse sessions and a strong Norwegian imprint, the festival sparked optimism. A challenged industry needs hope, according to both the delegate and organizer NFTVF spoke to.
The Danish director has wanted to make a TV series since 1998; he explains why Families Like Ours offered the gravitas he wanted to explore across seven episodes.
The Swedish writer-director wanted to avoid biopic cliches for The Swedish Torpedo and instead find a modern approach to a very feminist story from 1939.
In the Fund’s latest podcast interview, the Norwegian filmmaker says of his ambitious trilogy Sex Dreams Love: “Three films is not enough to talk about sex.”
The successful Danish producer talks about the international potential of Sons, what she learned as a Producer on the Move at Cannes 2024, and her new collaborations with Lars Knudsen and Ari Aster.
The Icelandic writer/director, whose film opened Un Certain Regard in Cannes, talks about the beauty in the tragic and how he created his poetic film When The Light Breaks.