When the Light Breaks by Rúnar Rúnarsson won the top prize for best film as well as four other awards, while Baltasar Kormákur's Touch scooped the highest amount of prizes with ten awards.
The Icelandic writer/director talks about moving into TV with The Danish Woman, why he likes headstrong women, and how he tries to pull the carpet from underneath the audience.
The Icelandic writer/director talks about moving into TV with The Danish Woman, why he likes headstrong women, and how he tries to pull the carpet from underneath the audience.
The Danish actress discusses her complex characters, like the infamous criminal in Oscar-nominated The Girl With The Needle and a woman recovering from a stroke in Berlinale premiere Beginnings.
As The Ugly Stepsister premieres in Sundance, the ambitious Norwegian debut film’s writer/director and veteran producer discuss financing and adding feminist body horror to the classic Cinderella fairytale.
The director and produce, known for their documentaries, reveal how Jacques Demy and an oil tycoon’s secret bunker inspired their ambitious first fiction feature, The End, a six-country co-production with a budget of about $17m.
The head of the International Sámi Film Institute talks about boosting indigenous filmmaking through smart collaborations with Netflix, Disney, NRK, Telefilm Canada and more - and she reveals what’s next for Sámi filmmakers.
Finnish producer Aleksi Bardy is proud of the Nordic elements that Helsinki Filmi could bring to the adaptation of Tove Jansson’s The Summer Book that stars Glenn Close and Anders Danielsen Lie.
The Danish director has wanted to make a TV series since 1998; he explains why Families Like Ours offered the gravitas he wanted to explore across seven episodes.
The Swedish writer-director wanted to avoid biopic cliches for The Swedish Torpedo and instead find a modern approach to a very feminist story from 1939.
Kyiv Soloists won the award for best documentary at HUMAN International Documentary Festival 2025. The Norwegian film premieres in national cinemas on March 21.