In early 2023 NFTVF’s Nordic Green theme-year initiated pan-Nordic green goals. This week the plan for a Nordic ecological standard and other actions were presented in Berlin.
The Danish actress discusses her complex characters, like the infamous criminal in Oscar-nominated The Girl With The Needle and a woman recovering from a stroke in Berlinale premiere Beginnings.
Five European film locations were the final nominees in this year’s strong competition. The Norwegians won the Location Award with Rubicon's drama series Billionaire Island.
Nordic composers dived into indusstry issues in Berlin and delivered their annual HARPA award to Norwegian composers Kåre Christoffer Vestrheim, Andréa Louise Horstad, Kristoffer Lo and Eivind Helgerød.
Combining passion and financial security: Nordisk Film & TV Fond spoke with players from all Nordic countries to unpack the business models, audience engagement strategies, and future prospects of theatres.
In the Nordics the growing piracy phenomenon poses a significant challenge especially to Sweden’s media market leading to substantial revenue losses, and undermining content rights.
The Danish actress discusses her complex characters, like the infamous criminal in Oscar-nominated The Girl With The Needle and a woman recovering from a stroke in Berlinale premiere Beginnings.
As The Ugly Stepsister premieres in Sundance, the ambitious Norwegian debut film’s writer/director and veteran producer discuss financing and adding feminist body horror to the classic Cinderella fairytale.
The director and produce, known for their documentaries, reveal how Jacques Demy and an oil tycoon’s secret bunker inspired their ambitious first fiction feature, The End, a six-country co-production with a budget of about $17m.
The head of the International Sámi Film Institute talks about boosting indigenous filmmaking through smart collaborations with Netflix, Disney, NRK, Telefilm Canada and more - and she reveals what’s next for Sámi filmmakers.
Finnish producer Aleksi Bardy is proud of the Nordic elements that Helsinki Filmi could bring to the adaptation of Tove Jansson’s The Summer Book that stars Glenn Close and Anders Danielsen Lie.
The Danish director has wanted to make a TV series since 1998; he explains why Families Like Ours offered the gravitas he wanted to explore across seven episodes.
The Swedish writer-director wanted to avoid biopic cliches for The Swedish Torpedo and instead find a modern approach to a very feminist story from 1939.
The successful Danish producer talks about the international potential of Sons, what she learned as a Producer on the Move at Cannes 2024, and her new collaborations with Lars Knudsen and Ari Aster.
The documentary Mr. Nobody Against Putin, a Czech-Danish co-production, will have its world premiere at the Sundance Film Festival on Saturday, January 25.