In Dialogue: the Icelandic NFTVF Prize nominated writer Tinna Hrafnsdóttir

Icelandic actor, director and screenwriter Tinna Hrafnsdóttir is nominated for the Nordisk Film & TV Fond Prize 2024 for her 6-part series Descendants (Heima er best), in which she also plays a supporting role.

The winner of the award, which celebrates outstanding Nordic series writing, will be announced in Gothenburg on January 30th, 2024.

Descendants premiered on Síminn in early November, 2023. The series is written and directed by Tinna Hrafnsdóttir, co-written by Ottó Geir Borg, Tyrfingur Tyrfingsson, produced by Polarama, Freyja Filmworks and Projects, and co-produced by Lunanime.

You work professionally as an actor, producer, director, and writer; how did you learn to master scriptwriting, and how do your various professions benefit from one another?

Studying literature at the University of Iceland for almost three years laid the foundation for my writing skills before I joined the acting programme at the Iceland University of the Arts. Although my focus remained on acting post-graduation, a turning point occurred in 2013 when I discovered an engaging scriptwriting programme at the University, led by two successful Icelandic writers/directors, which to a great extent nourished my passion for storytelling and deepened my interest in the film industry.

In this project, wearing multiple hats was of course a challenge, but became not only practical but essential for the outcome. I find it advantageous being an actress myself when it comes to directing other actors, because I know their “language” and understand their needs. As the head-writer, I ensured narrative coherence, because at a certain point Ottó, who wrote the scripts with me from the beginning on, had to withdraw from the project due to other commitments. So I reached out to Tyrfingur for the final review of the writing. His expertise in satirical humour and profound sarcasm added an essential flavour to the project, so I was really happy with both of my co-writers. As the director, I was able to bring the story to life in line with my vision, and as the creator, it was logical to act as one of the producers to retain comprehensive control over the project.

What special insight or experience inspired you to create a series about the personal, dysfunctional family in Descendants?

The motivation behind writing a family story lies in its universal relatability. Our family, being the starting point of life, shapes our essence and influences who we become, which I find very interesting to explore as a storyteller. Although this narrative dives into family dysfunctions like jealousy and power struggles, it also unravels complexities that are present in every one of us which people can relate to, for instance, the fundamental human need for belonging and acceptance. In my opinion, stories about family issues, especially those which are a bit dark and cynical, often manage so well to capture the diverse shades of life, its complexities, and the core nature of our existence.

What was most enjoyable and/or challenging when combining harsh economics with lovable characters?

To make the background clear, the roots or the “why” behind the siblings’ actions, reactions and choices, was vital to me in order to make their struggles relatable and compelling. However, the three dimensions can be just as challenging as they are important for the narrative, and therefore we decided to let the first four episodes evolve around each of the characters. Maintaining the balance between the backdrop and the audience's affection for the characters, without losing the essence of the dark, satirical tone that flavours this series, was also paramount.

Would you like to introduce your next project?

In my upcoming project I'll focus solely on directing, which I really look forward to, but I consider it a huge privilege to be invited to join a project someone else has created. Björn Hlynur Haraldsson (Blackport) and I will co-direct Vigdís, a 4-part drama series based on the inspiring true story of the world's first elected female president, Vigdís Finnbogadóttir. This project is truly exciting, and is produced by Rakel Garðarsdóttir, Ágústa Ólafsdóttir, and the talented Vesturport group.

I’m also developing my second feature, which I will pitch as a part of the Discovery programme at the Gothenburg Film Festival. I’ll be looking for partners, as the film needs to be shot in two countries.

In the fall of 2023, the drama series industry faced a crisis: Has this affected what is now commissioned, and how?

In Iceland, the notable impact was primarily felt in foreign collaborations, in which Iceland took on a co-producing role, as opposed to the Icelandic series involving local creators, writers, and cast.

What could help Nordic creators the most in 2024?

To keep on going, although the times are now difficult worldwide. Strengthening networks and partnerships among creators, producers, and platforms across Nordic countries would foster a richer pool of resources, ideas, and talent, because there are so many emerging voices within the Nordic TV landscape which we need to support for the continued growth and success of the industry.

Official trailer:

Read more about Descendants and the other nominees: CLICK HERE.