Present in Cannes with a record four films in official competition and two at Un Certain Regard, Scandinavia’s leading regional funder unveiled four new titles.
Celebrating 30 years in 2022, Film i Väst gathered on Friday a dozen top directing and acting talents and producers at its annual international press launch, set in an eye-catching seaside villa in Cannes.
The leading Swedish co-producer which has over 30 features and series set to premiere this year, proudly introduced its six Cannes entries: the Palme d’or contenders Triangle of Sadness, Holy Spider, Boy from Heaven, R.M.N. and Un Certain Regard selected Sick of Myself and Godland.
In his usual lively pitch, star director Ruben Östlund reiterated to the press his wish to take the audience in an unexpected direction and keep them on the edge of their seats with Triangle of Sadness. Actors Henrik Dorsin and Carolina Gynning discussed Östlund's multi- takes technique to search for the perfect scene and on-set tension found usually on theatre stage.
Holy Spider's main actress Zar Amir Ebrahimi, emphasised director Ali Abbasi’s delivery of a censor-free film about Iran, and said: “I want the audience to get emotional, scared and to see Iranian women in a different light [than in the usual State-controlled Iranian films].
Meanwhile Norway’s talented actress Kristine Kujath Thorp gave a short description of her challenging physical transformation and anti-hero character in Kristoffer Borgli’s Sick of Myself.
Four new co-productions were announced, three of which are backed by Nordisk Film & TV Fond.
Already announced, Zentropa’s highly anticipated TV series debut of Thomas Vinterberg - Families Like Ours - was pitched via a video link by the Oscar-winning director, who said he is finalising the script, co-written with Bo hr. Hansen. Meanwhile producer Sisse Graum Jørgensen who was on hand in Cannes, confirmed the start of principal photography set for September between Denmark, Trollhättan, Sweden and the Czech Republic among others. “It will be is conventional [European] co-production, not a streaming series,” insisted Graum Jørgensen who said the series will premiere early 2024.
Elsewhere, Film I Väst CEO Michael Fellenius took the opportunity to announce the opening in August of the first Nordic large-scale virtual production studio in Trollhättan based on 12k laser projector technology developed by Barco. The project made in collaboration with Igelkott Studos, is meant to open up new markets and contribute to a sustainable film production in Västra Götaland region.
Film i Väst also launched its latest research paper, 'Creative Overload’ written by journalist and festival programmer Wendy Mitchell. The report looks at the "golden age of content" from the writers and directors' perspective, the pros and cons of the booming content market but also the greater divide between films for the big screen and series for VOD. Check the report here: www.analysis.filmivast.se